Is Social Media Making Corporate Websites Irrelevant?

Below is an intriguing re-post from Mashable regarding the ever-changing face of business and relationship marketing. In the late 90s we used to call Web 1.0, still one way electronic communications, "New Media". I imagine in "NEW" much the same way television was going to destroy radio, radio was to destroy print, and so forth. Yet the interesting thing about the 'new' in this 'New Media' is that it is the first to change the 'old media'... with newspapers weakened (I will not predict their demise), radio and television streaming, and now... old New Media replaced by Web 2.0, the new New Media. Now that's change.

Is Social Media Making Corporate Websites Irrelevant?

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Mystery Meat

You remember mystery meat, in the seventh grade cafeteria, trying to guess what part of which animal was buried under a mound of potatoes and curdled gravy?

How about this mystery meat: A television-centered campaign that promotes an oft-derided product by hiding behind and talking up the virtues of its partners' products? It is what Microsoft is doing in their new 'Laptop Hunters' campaign, and according to a study quoted in this Fast Company article, it is working.

Microsoft cannot put lipstick on this pig, but it can cover that pig by ladling the value propositions of the hardware manufacturers whose equipment runs the buggy OS (Vista, aka OS7) on top of it.

Microsoft recognizes and leverages the one area the Apple cannot readily claim: value for the money, as PCs can be had for an order of magnitude cheaper than even the most budget-friendly Mac. It realizes that for all the hype around the Mac, the product, to many, doesn't deliver the value promised in its advertising. And ultimately, the product experience equals the brand, no matter how well executed the 'I'm a Mac' campaign.

Thus it appears that for the time being, consumers are holding their nose as they go for the PC. Just like swallowing mystery meat.

UPDATE: 7-15: Microsoft: Apple Told Us to Cancel the Laptop Hunter Ads

Using context in creative

In marketing, we are all too often too quick to shrug and allow 'sufficient' or 'passable' creative because, after all, of the subjective nature of of clients' and creatives' judgements.

Yet the most effective messaging is rarely about the message only, the clever headline only, or the graphics only. It is more broadly all those things, always as they are used within a specific context. Delivering the unexpected means communicating the unexpected, in an unexpected way, in an unexpected place. Saatchi and Saatchi got it right with this ad for flea and tick spray:



Look carefully. This is an enormous advert on the floor of a transporation hub in Indonesia. The 'fleas' are passers-by, many unaware of their role in the ad itself.

Large format floor ads have been done before, but this one is the first I have seen that combines the impressive graphic impact of large-scale installations in an unexpected way, in this case where passers-by are integral to the message. Without them, the image is incomplete. Place this same image on a postcard or in a trade advertisement, it communicates the same message, but offers no interaction, no imact, and builds no affinity for the brand.

"Art" remains subjective, but "context" is objective. Recognizing this makes good creative easier to recognize, easier to sell, and builds credibility for marketing and advertising as measureable and accountable. As ad legend David Ogilvy is quoted as saying, “If it doesn't sell, it isn't creative.”